Confessions about Twin Peaks

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(Minimal spoilers ahead.)

• Prior to actually watching the show, I thought Twin Peaks was a crime drama that took place in San Francisco. I’d also never seen any of David Lynch’s work. That is to say, my background knowledge was pretty nonexistent.

• It wasn’t a person who convinced me to finally watch the show, it was Netflix.

• I haaaaated the first episode. Maybe it was because I didn’t understand that it was supposed to be a soap opera (a very bizarre one, but a soap nonetheless). Although, I’m pretty sure if I were to watch the pilot again, I’d still think the acting was overdone and the characters completely unbearable.

• I continued to hate pretty much every character throughout Season One. Yet I couldn’t. stop. watching. Kind of like the current presidential election. 😬

• The only character I liked right off the bat was Albert Rosenfield.

• After Leland Palmer “recovered” from his sorrows, I remember thinking, “Oh hey, he’s not so bad now.” I even thought he was suddenly attractive with his new white hair, in a silver fox sort of way.

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I deeply regret those thoughts.

• Certain episodes freaked me out so much that I made Alex sit in the bathroom while I showered at night, so I wouldn’t be alone.

• Characters I initially couldn’t stand but ended up really liking: Audrey, Bobby, Andy, Ben Horne. I was even rooting for Leo at the end, which is a real strange thing to say.

• I think I was supposed to feel bad for Harold Smith but, I didn’t.

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you sir, are a creeper

• The addition of Annie very nearly ruined the show for me.

• I couldn’t wait to finish the last few episodes because I wanted to go on Tumblr and see what the fandom was like. (Also, a Tumblr search for “Dale Cooper,” much to my bewilderment, resulted in a screen full of NSFW pictures because apparently our favorite FBI agent shares a name with a gay porn star.)

• I have shamelessly adopted Special Agent Dale Cooper’s overuse of the thumbs up, both in real life and emoji form. (I mean, Kyle MacLachlan does it, too.)

• I’ve gone to Amoeba probably ten times in the past month in an attempt to find the vinyl reissue of the Twin Peaks soundtrack. Last night I finally gave in and ordered it online.

• Things that Twin Peaks made me afraid of: chess, owls, spindly trees, mirrors, brushing my teeth.

• Things that Twin Peaks made me appreciate: the Pacific Northwest, diners, Civil War re-enactments, creepy synth music, Kyle MacLachlan.

• Sadly, I’ll never truly be able to relate to this fictional town’s love of coffee, but the pie I can definitely get down with.

Eight Days A Week: The Real Post

Ok, now for some real thoughts on Eight Days A Week.

When I first heard about this documentary, I was a little disappointed that there wouldn’t be a “studio years” installment, which in my mind would’ve been much more interesting. But after watching the film, I appreciate the focus on the touring years, because: 1) It reminds us just how nuts Beatlemania was, and 2) It’s super interesting to see how the Beatles affected everything that was going on culturally and socially in the mid-60s (their refusal to play segregated venues, the Jesus quote debacle, etc.). I mean, that continued into the late 60s too, but when they were touring, they were much more in the spotlight. Oh, and 3) The press conferences. So many zingers.

Here’s a rundown:

The good:

  • New stuff for die-hards. Although I’d seen most of the concert and interview footage over the years, it was nice to see some new material. Like interviews with fans (“George has sexy eyelashes!”), the German press conference where a reporter asked the Beatles why they’re so snobby (good job deflecting that one, Paul), and a fan’s home video of the ’66 Candlestick show.
  • Restored audio. I never really liked watching Beatles concert footage because the sound was so atrocious (it’s just…all teenage screaming). But Giles Martin a.k.a. Son of God worked his magic on the recordings and they actually sound pretty amazing.
  • The #dreamteam. I’m glad that appropriate tribute was paid to Brian Epstein and George Martin, and that Mal Evans, Neil Aspinall, and Derek Taylor didn’t go unnoticed either. The Beatles had a surprisingly small entourage when touring the world from 1964-1966, and I’ve always admired how close they all were with these guys.
  • Shea Stadium. (You only got to see the whole concert if you watched the movie in theaters.) The shots of the fans are priceless and the Lennon antics are at an all time high.
  • George comparing the Beatles to rhubarb. He would.

The meh:

  • Questionable Lennon censorship. I thought it was kinda weird they corrected John’s lyric flubs for some of the live performances (personally, I think they’re endearing). Although it’s probably for the best that they edited out his clap hands/stomp feet routine…
  • Random interviews e.g. “we’re gonna bring in Eddie Izzard to talk about how the Beatles responded to media hecklers, and we’re gonna show him juuust long enough to make you think, wait, what’s Eddie Izzard doing here?”
  • Colorized film. Unnecessary. It makes everything look so fake and bad.
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whyyyyyyy

The film is available on Hulu, but seeing it in a theater of fellow Beatlefans was pretty entertaining, if you get a chance to do so. Like the audible horror at the colorized footage, everyone clapping along to “Eight Days A Week,” and the guy in the front yelling along with “GOOD OL’ FREDA!”

I think Ron Howard did an excellent job bringing Beatlemania back to life, while also capturing what made people like me fall in love with the Beatles in the first place: their wit, charm, and boundary-pushing music. Ending the film with the rooftop concert was expected, but it still made me tear up. The Beatles and their music came such a long way in such a short amount of time, it’s insane. Their fans grew up, too: from screaming, crying teenagers to young men and women quietly watching from rooftops across the street. Whenever I start thinking about the arc of the 60s and how the Beatles influenced it, I get all emotional, so I’m just going to stop right here.

TL;DR: Eight Days a Week is definitely worth a watch. There are some weird bits, but the great restored footage and cheeky interviews more than make up for it.

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Thanks guys, you’re the best.

The Art of the Gag

It’s Buster’s birthday, and this was on the front page of Reddit tonight. I’ve never been so quick to subscribe to a YouTube channel after watching a video (well, except maybe this time).

I love the choice of clips mixed with the audio interviews with Buster (he’s from Kansas, can you tell?). I’m a huge believer that physical comedy, when done right, is a legit form of art. No one proves it better than Buster.

The guy who made this has done a lot of other really interesting videos about filmmaking, with topics ranging from the Coen Brothers’ use of wide lenses to temp music to “Bayhem.” A lot of the stuff I post on here is very specific to my interests, but man, I can’t think of anyone who wouldn’t enjoy this guy’s stuff. 10/10 would binge-watch again.